![]() ![]() One thing I liked is that the series is unafraid to step out of its boundaries: there's material here that would be written off elsewhere as unfit for the show or too mature, though it's handled with grace and subtlety here. in the series overall, let alone this mini-season. However, I believe that many of the episodes that do not fall in this category are some of the best Whether or not this was a good or bad choice will depend on your personal preferences, as some episodes have mediocre or subpar quality in my opinion. And to be honest, this series may not have been 'necessary' to the series success, but it certainly contributed to breaking the mold that was set up. Ojamajo Doremi Na-I-Sho is a nice break from the main series, dealing with a series of side plots that take place in between the Motto! and Dokaan! seasons, to my knowledge. Ojamajo Doremi Na-i-sho manages to be a very good complement to the franchise, his themes develop better than in other seasons and with slightly more mature themes touched with subtlety. In my opinion all the chapters were very entertaining. This season shows how one can become fond of a character in a single chapter if the execution is good. In this season, the characters who did not have the opportunity to have a chapter in other seasons were given time, new characters were also introduced and the protagonists were further developed. The ova format made the anime had animation and music 10 times better than the other seasons. ![]() In my opinion, this is the best season of Ojamajo Doremi since it serves very well as a complement to the others, the ova format made the themes can be developed much more freely since this time there were no age restrictions.This can be noted for example in chapter 4 (Where Onpu is developed and the idol industry is criticized in a very subtle way) or in chapter 12 (One of the most tragic chapters of the entire franchise).Īll the chapters are worthwhile and develop themes and characters that had not been touched in the other seasons. Due to its parent series, it's still quite trimmend on "cute" and very colourful, although, it appears to me, not quite as much as in the parent story. There is quite some educational value inside of it.ĭespite its age it doesn't really look dated. The series is at its core very mature, but still presents the topics in a manner, very suitable for children. The series is surpsingly realistic in showing and dealing with these problems and I really like how magic is not a direct part of solving these troubles. In addition some quite serious and, considering the audience of this franchise, surprisingly mature problems are dealt with in this series. ![]() These shown problems are usually not dealt or tried to be solved with it, but by the characters themselves. While magic is still an element of the series, it has not really that much weight in the series. In each episode the character's problem is featured, with a part of the main charaters stumbling over the the character and more or lesss secretly goes on helping the character or is observing his or her character development. Some of them being comepletely new, some other are also featured as (more or less minor) side characters from the parent story. The spotlight in each episode is reserved on some side characters. While the parent story mainly focuses on these girls, here they actually Ojamajo Doremi deals with five girl "witch novice" protagonists. ![]() (I only watched the first two seasons and about half a dozen of the other two and that was plenty enough. While completely knowing the parent story is not really nescessary, it is probably useful to have watched some episodes of the parent story. Ojamajo Doremi Naisho, placed somewhere in the summer vacation between the school terms covered in season 3 and season 4, is practically a loose chain of short stories around the characters of Ojamajo Doremi. ![]()
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